Get Me A Stone features a series of paintings produced between 2021 and 2026 by Rosalind Nashashibi, as well as the film Occupation of The Inner Life (2026). These works reflect an emotional and political engagement with the current situation in the Gaza Strip.

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A documentary work lasting approximately one hour, focusing on the career of Mari Puri Herrero (Bilbao, 1942), produced by a joint team from Artium Museoa, EITB and Begira Produkzioak.

With the collaboration of:

Dirección audiovisual y realización
Larraitz Zuazo

Dirección de contenidos / Comisariado
Elena Roseras
Museo de Arte Contemporáneo del País Vasco, Artium Museoa

Desarrollo de contenidos y entrevistas
Artium Museoa | Museo de Arte Contemporáneo del País Vasco, Artium Museoa

Guion
Naia Arantzamendi
Artium Museoaren laguntzarekin | con la colaboración de Artium Museoa

Voz en off
Uxue Alberdi

A documentary work lasting approximately one hour, focusing on the career of Esther Ferrer (San Sebastian, 1937), produced by a joint team from Artium Museoa, EITB and Begira Produkzioak.

With the collaboration of:

Dirección audiovisual y realización
Larraitz Zuazo

Dirección de contenidos
Elena Roseras

Desarrollo de contenidos y entrevistas
Beatriz Herráez
Beatriz Martinez Hijazo
Elena Roseras
Larraitz Zuazo

Guion
Beatriz Martinez HIjazo
Naia Arantzamendi
Museo de Arte Contemporáneo del País Vasco, Artium Museoa

Voz en off
Marina Suarez

This exhibition explores artistic practices that critically and speculatively reflects on the role of the moving image in constructing stories and representations of otherness —constructed and defined by the West based on an entire epistemological apparatus derived from modernity— that have shaped a diverse tradition of ethnographic cinema.

The works featured in the exhibition often deconstruct established methodologies or question image production technologies, although they also place the camera at the service of self-representation.

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The Land Shall Not Be Owned is a solo exhibition by the Lebanese artist Marwa Arsanios (Washington, DC, 1978) on her series of documentary pieces entitled Who Is Afraid of Ideology? (2017-ongoing), a project in which Arsanios examines the reappropriation and exploitation of land in a variety of regions in the Middle East and Colombia. 

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Artelekun zehar. 1987-2002. An exhibition about Arteleku through the Archive' is the third and final chapter in Artium Museoa’s series of exhibitions dedicated to the relationship between artistic practices and pedagogy in the Basque Country and it focuses ecifically on the first fifteen years of the Arteleku training and production centre.

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Facing the Image is an exhibition by late Belgian filmmaker Chantal Akerman (Brussels, 1950 - Paris, 2015). Curated by long-term collaborator Claire Atherton, the exhibition explores Akerman’s film installations developed in collaboration with Atherton over several years, unfolding the sequential dimension of the moving image into three-dimensional space.

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This exhibition presents the artist’s plastic research from her first monochrome experiments, carried out in 1978, until the mid-1990s. Organised by series, the project covers the first two decades of her career, centred on the field of geometric abstraction and the introduction of the computer in research into measurement and the generation of images.

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Javier Pérez on the work and its restoration process.

By Óscar Vincentelli

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This video shows, using the time lapse technique, the process of restoration and cleaning of the work.

By Quintas Fotógrafos

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